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CD DISCOGRAPHY

An illustrated guide to
Akira Ifukube's CD releases
Over
the years, the popularity of Akira Ifukubes music has inspired the release
of a wide variety of commercial recordings in Japan. The earliest of these
appeared on vinyl LPs, EPs, 45s and cassettes, and included concert works
as well as soundtrack compilations. Unfortunately, individual soundtrack releases
were almost non-existent, while the film music that did appear was often marred
by less-than-optimal sound quality.
The
compact disc era changed all that, making a vast number of previously unreleased
gems available to young and old fans alike, along with the benefit of noticeably
enhanced audio. The revolution came slowly at first, with just a handful of
mid-80s LPs making the transition to the new format on the King/Star Child
label. These included two volumes of remixed highlights from the 3-LP Godzilla
Legend series (retitled Godzilla Legend Chronology 1 & 2),
featuring synthesizer versions of Toho monster themes, as well as a CD edition
of Tohos 1978 Godzilla! compilation LP, with added bonus tracks.
One
of the more interesting of the early discs (released in 1986 on LP and CD)
was Ostinato, a collection of re-recorded cues from Ifukubes
classic monster and sci-fi film scores, originally commissioned for a video
of Toho outtakes. Another vinyl milestone to make the leap to CD was the 1983
premiere of Symphonic Fantasia, Ifukubes concert hall arrangement
of his most famous sci-fi themes. This in turn attracted listeners to the
maestros other concert recordings, which were issued in increasing numbers
on Japanese labels such as Fontec, Victor and Toshiba-Futureland, and later
King and Camerata. Ifukubes monster and sci-fi film soundtracks also
saw their first comprehensive release with the landmark double CD series Akira
Ifukube: Complete Recordings on the Futureland label.
The
Ifukube CD explosion reached its peak during the early-to-mid-90s, inspired
by Godzillas 40th anniversary as well as the revival of the Godzilla
movie franchise. The seven new films, known as the Heisei series, boasted
state-of-the-art special effects and a return to the more serious tone of
the monsters 1954 debut. Ifukube was even enticed out of retirement
to score four of the new films, which undoubtedly gave a further boost to
his popularity. In addition, all of Ifukubes classic monster and sci-fi
soundtracks appeared for the first time as individual CD releases, once again
on the Futureland label, while compilations of lesser-known and previously
unavailable film music appeared on SLC and VAP (the latter with a series saluting
Ifukubes 50th year as a film composer).
Even
American labels got into the act. An enjoyable 2-volume Best of Godzilla
series was released on GNP Crescendo in early 1998, the same year that Hollywoods
own controversial Godzilla film hit screens nationwide. ADV issued
a budget-priced edition of the Destroy All Monsters soundtrack in 2003
(later included as a bonus disc with the films DVD release), and La-La-Land
Records released deluxe presentations of the original Godzilla (in
2004, the monsters 50th anniversary) and King Kong vs. Godzilla
(2006).
The
most ambitious reissue campaign to date is Toho Musics 50th Anniversary
Godzilla Soundtrack Perfect Collection, a series of six multi-disc boxed
sets that include newly remastered soundtracks to every Godzilla film from
1954 to 2004. In a nostalgic nod to the past, each box also features one or
two bonus discs that replicate the packaging and track order of early vinyl
LPs such as Godzilla! (all three volumes), Ostinato and Symphonic
Fantasia. As of this writing, the release of Box 6 remains unscheduled.
It
is fascinating to follow the history of these releases, and this discography
attempts to make sense of the maestros vast and often convoluted body
of work in a concise, organized format. The CDs are arranged in sections covering
Concert Works, Concert Compilations, Individual Film Soundtracks,
Soundtrack Compilations, Soundtrack Re-recordings & Interpretations,
Theatrical Music and Miscellaneous/Oddities. Reissues are grouped with
original editions wherever possible in an effort to present a clearer understanding
of these releases, and help fans avoid unnecessary duplication.
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CONSTRUCTION
Thanks to Sam Scali for providing the research, information and scans in the Discography.
Copyright
2009 Erik Homenick. All rights reserved.